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The Western canon1994

the books and school of the ages

by Harold Bloom

Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism.

Insisting instead upon "the autonomy of the aesthetic," Bloom places Shakespeare at the center of the Western Canon. Shakespeare has become the touchstone for all writers who come before and after him, whether playwrights poets or storytellers. In the creation of character, Bloom maintains, Shakespeare has no true precursor and has left no one after him untouched.

Milton, Samuel Johnson, Goethe, Ibsen, Joyce, and Beckett were all indebted to him;...

— from OpenLibrary
5 editions at OpenLibrary
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