Michaël Borremans2014
As Sweet As It Gets
by Michael Borremans
Michael Borremans: Black Mould documents the artists first exhibition at David Zwirner, London in 2015 and his first solo presentation in the city in ten years. This intimately scaled catalogue, which has been designed by the artist in collaboration with Kim Beirnaert, includes thirty-two small- and large-scale paintings from his new series, most of which feature anonymous, black-robed characters. Alone or in groups, they perform mysterious acts within monochromatic spaces reminiscent of an artists barren studio. Seemingly behaving according to a symbolic language of their own, they pose alone or interact in communal dances, with some figures holding torches and others exposed naked from the waist down. Their facelessness opens up ambiguous narrative possibilities, like empty canvases with...